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Macro Contemporary Art Museum

ODBC Odile Decq - Benoit Cornette

Europa | Roma

Zaha Hadid’s design for MAXXI and Odile Decq’s addition to MACRO challenge curators to present and visitors to experience contemporary art in radically different ways. Most museums are static and serve as a neutral foil to the exhibits; these new arrivals are dynamic and interactive. They blur the divide between circulation and display, and substitute a fluid interplay of open spaces and promenades for the conventional sequence of orthogonal white galleries. Consciously or not, both are inspired by Le Corbusier’s concept of the architectural promenade, and the spiral ramp of Frank Lloyd Wright’s Guggenheim, which achieved a similar goal, fifty years ago. The two museums are located to the north of the walled city and seek to generate a new audience while engaging the local community. There are other similarities. Both are grafted onto existing buildings: Hadid wraps the remains of a...

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