A combination of textiles, materials, and artwork has created an artist residence with vibrant colors and an eclectic character in the heart of New York. GRT Architects transformed the rectory of St. Thomas in Harlem into a home-studio for an internationally renowned artist. The building, dating back to 1907 and designed by Thomas Henry Poole, had been abandoned for several years, until the owner discovered it during work on the adjacent church.
The building stands out as a vertical block with pointed arch openings, which were preserved during the restoration to maintain the building’s historic identity. The Neogothic façade is tripartite, with a brownstone base, a central part, and a red brick crowning. The claddings were restored using different colored materials to distinguish them from the original ones. Additionally, a stone mosaic made in Italy was added to the upper part within a circular porthole, depicting the Greek mythological creature Medusa, who watches over the house from above.
The residence has five levels: there is an apartment for guests on the garden floor; the central body houses the main residence; and the artist’s painting studio is on the top floor, illuminated by a large skylight. On the ground floor is the kitchen, completely enveloped by ribbed wood and recycled terrazzo surfaces in shades of gray, red, and ivory. The adjacent dining room features a custom-made fireplace with multifaceted pink concrete tiles, designed by GRT Architects and inspired by classical architecture. The floor is characterized by hexagonal black and white tiles that echo the shape of the legs of the oak dining table.
A white perforated steel staircase extending across four floors leads to the double-height living room. The previous division between the levels is highlighted by a change in wall cladding, that passes from white plaster to ribbed wood paneling. Here, a large pointed arch window, the result of merging two openings, dominates the house, allowing light to permeate the interior. The color palette is bright and ranges from neutral tones to touches of purple and blue. Completing the space are elegant objects and designer furnishings, such as a large, quilted leather couch, a fabric armchair, and a blue-hued coffee table, which complement works of art by Lorna Simpson, Michael Young, and Jasper Johns.
The bedrooms are arranged on three floors along a single side of the building, one above the other. The master bedroom is embellished with Persian rugs and curtains by Adam Pogue and a vibrant array of exotic colors and textures. The bathroom is inspired by Gothic vaults and Turkish hammams, featuring cream-colored Moroccan plaster walls and ceiling and a floor covered in a rainbow of small hexagonal tiles.
On the top floor is the studio, which was enlarged by removing the original roof to create a taller room, ideal for housing large works of art. A large skylight, equipped with motorized blinds, offers abundant natural light, illuminating the room and acting as a greenhouse for the numerous plants that populate the space. A Noguchi lamp inspired by the work of artist Danh Vo, a friend of the owner, runs through the stairwell across four floors, adding an original touch to the house.
Location: New York City, USA
Completion: 2022
Gross Floor Area: 800 m2
Architect and Interior Designer: GRT Architects
Main Contractors: Architectural Specialties, Adlevise, Vision Build
Consultants
Structural: Old Structures Engineering
Lighting: Focus Lighting
MEP: Kohler Ronan
Landscape: space2place
Interior Decorator: Michael Kirkland
Photography: Jason Schmidt, courtesy of GRT Architects
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