Radisson Resort & Spa, created by the rapid urbanisation of the rural area
Malik Architecture
Hospitality
/
Completed
The Radisson Resort grapples with a fundamental problem, a contradiction created by the rapid urbanisation of the rural area.The sense of open space of connecting to nature is contested by the building forms that emerge through the prescribed building codes and densities.The architecture emerges from the site, topography, from the region’s material history(Black Basalt & Wood) and adapts to both flexible and fixed(Public+Private) programs.The sense of space, of nature, that should be the primary characteristic of a ‘Resort’,is contested by the density and building form that emerges through a set of prescribed codes the prioritise quantity,not quality.The project first and foremost seeks solutions through the understanding of memory,archetype,material and site to restore the sense of place.
Lonavla, a hill station in the Sahyadris, is the nearest and most popular weekend retreat for the residents of Bombay. Its natural topography, cooler+drier climate, verdant landscapes and history (Ancient forts + Buddhist cave temples) has attracted uncontrolled development leading to a substantial erosion of the character that defined it.
The site is located in a predominantly residential neighbourhood. It consists of two separate plots divided by a planned accessway that has been adopted by the project but cannot be built on.
The building uses planning devices that have existed in the vernacular architecture but they have been adapted to a newer archetype. Courtyards, verandahs, deep-shading, thick walls, cross-ventilation are relevant responses to this sub-tropical, temperate climate with heavy monsoons and strong sun. The naturally ventilated courtyard (atrium), the porous ground, thick basalt walls, individual patios with operable screens are very effective.
All the volcanic stone used in the project has been excavated from the site.
The natural slope has been used to accommodate the services in the basement without massive ventilation.
The masonry works have been executed by masons living nearby.
The feeling of multi-storey building has been avoided by developing the ground as organic, free form public spaces with split level topographical connections. Extant forms (Bastions/ Large masonry walls), stepped courts (kunds) animate the built landscape. The room blocks hover above the ground, as bold, abstract volumes with louvred permeable secondary walls. The ground rises vertically into a shaded atrium courtyard. The organisational structure makes nature the protagonist and deploys space, material and light in ways that replace the experience of a ‘Building’ with a journey through a landscape that is alternately built and unbuilt.It is also important to view the project in comparison to hospitality space with similar densities. Hotels in the vicinity follow urban models, with thematic applications, the identity often being alien to the place.
Developing an idea that eliminates the decoration, embellishment in order to let natural building materials work within a framework that responds to a dense program, that prioritises response to the place, memory and climate instead of pre-conceived visual notions is a major challenge.
The current hotel was the client’s first hotel and he was very economical, but was open to new ideas.The hotel’s ROI, estimated at 6-7 years,was achieved in under 2.5 years.The Radisson group has identified this project as an example and every single employee in the hotel, from GM to housekeeping, expresses immense knowledge about the project concept and immense pride in it.In short,architecture as protagonist has been a successful experiment,economically,socially and culturally.
/23
The western edge, with its views of the sea, and its propensity to be subjected to the maximum force of the elements is organized as a series of deep shaded verandas with fixed and operable screens.
Bharath Ramamrutham
The western edge, with its views of the sea, and its propensity to be subjected to the maximum force of the elements is organized as a series of deep shaded verandas with fixed and operable screens.
Bharath Ramamrutham
The north facing façade as viewed from the ground.
Bharath Ramamrutham
View from the front of the building
Bharath Ramamrutham
By accommodating the parking within the basement, the street level, up to a height of 11m is devoid of residential spaces. Instead, structure and volume are set back from the street and organised within a garden shaded by cantilevered residential volumes
Bharath Ramamrutham
The building, when subjected to a closer examination, expresses a character and an articulation that is unusual for tall buildings in a city with extremely restrictive building codes.
Bharath Ramamrutham
The street level, up to a height of 11.0m is devoid of residential spaces. Instead, structure and volume are set back from the street and organized within a garden shaded by the cantilevered residential volumes above.
Bharath Ramamrutham
The veranda spaces shift profiles within this tall void, based on the relationship with the interior, and each bungalow develops its own proportion of verandas’.
Bharath Ramamrutham
Internal shifts in space and structure make the courtyard extend into the private spaces creating a network of deep voids and punctuated skylights.
Bharath Ramamrutham
The individual “bungalows” are planned around central north facing courtyards with the public/private spaces located at the east and west zones to establish views into the funnels between the surrounding buildings.
Bharath Ramamrutham
A sculptural staircase connects internal spaces within the vertical bungalow through a network of voids.
Bharath Ramamrutham
A view from the corridor peeping into the living space and visually connecting to the outdoors.
Bharath Ramamrutham
The northern edge with network of voids running along the façade, allowing natural light and breeze to flow through the house.
Bharath Ramamrutham
The site is located in a predominantly residential neighbourhood. It consists of two separate plots divided by a planned accessway that has been adopted by the project but cannot be built on.
Malik Architecture
Lonavala, a hill station in the Sahyadris, is the nearest and most popular weekend retreat for the residents of Bombay due to natural topography, cooler+drier climate, verdant landscapes and history.
Malik Architecture
Site context and existing conditions
Malik Architecture
The architecture emerges from the site, topography, from the region’s material history (Black Basalt & Wood) and adapts to both flexible and fixed (Public + Private) programs.
Malik Architecture
The feeling of multi-storey building has been avoided by developing the ground as organic, free form public spaces with split level topographical connections.
Lonavala
India
Monarch Hospitality
Hotel/Resort
06/2021
11150 sq. m
Confidential
Kamal Malik, Arjun Malik, Payal Hundiwala, Ketan Chaudhary, Sakshi Jaggi
Kamal Malik, Arjun Malik, Payal Hundiwala, Ketan Chaudhary, Sakshi Jaggi
By Client
Global Engineering Services
Bharath Ramamrutham
Curriculum
MALIK ARCHITECTURE is a 47-year-old design practice based in Mumbai. It is a firm of architects, interior designers and services consultants.
In the last four decades, the firm has designed a number of prestigious projects in India and overseas, several of which have been published and applauded on esteemed platforms. It has won numerous design competitions as well as National and International Awards.
The professional philosophy of providing a comprehensive design solution and harnessing new technologies have resulted in innovative and dynamic solutions by the firm.
The practice attempts to develop a relevant contemporary syntax of architecture for the Indian sub-continent articulated through architecture as a synthesis of ‘Ecology’ and ‘Spirit’.
Through an ‘ongoing process of ‘Manthan’ or churning, the practice has gleaned from a rich historic, cultural and philosophical past incorporating a process of continuous change and generating a contemporary design idiom.