Public spaces, piazzas, streets, town centres, religious buildings
Set within the foothills of the Andes, just beyond the metropolis of Santiago, Chile, the Bahá’í Temple of South America uses light for its spiritual and design inspiration. Nestled in the rolling topography of the mountains and surrounded by reflecting pools and a landscape of native grasses, this complex-curved Temple of light acts as an invitation for spiritual contemplation and architectural pilgrimage. Fourteen years in the making, the House of Worship represents the last of the eight continental Temples commissioned by the Bahá’í Community. The Bahá’í Faith is built on the tenet of universality; therefore, the architectural challenge is to create a design that would be welcoming to people of all faiths and cultures; recognizable as a House of Worship without referencing specific iconography. Inspiration was drawn from
a myriad of sources, such as the magic of dappled sunshine beneath a canopy of trees, the rotation of a Sufi whirling dancer, the interwoven strands of Japanese bamboo baskets, and the fragmentation of shattered glass. Developed through hand sketches, physical models and state-of-the-art digital technology, the final design is composed of nine identical, gracefully torqued wings that frame an open, accessible, light-filled space for prayer and meditation. The aim was to achieve an interplay of seeming contradictions: stillness and movement, simplicity and complexity, intimacy and monumentality; a solid structure capable of dissolving in light. The super-structure of the wings are comprised of hundreds of unique, individually engineered slim-profile steel members and nodal connections. Each of the wings rest on concrete rings and columns
on elastomeric seismic isolators, so that in the event of an earthquake, the concrete pads slide horizontally to absorb the shock. An intensive investigation into the material qualities that capture, express, and embody light resulted in the development of two cladding materials: an interior layer of exceptional translucent marble from the Portuguese Estremoz quarries, and an exterior layer of cast-glass panels developed exclusively for this project. The research for the cast-glass exterior cladding took nearly four years, working in collaboration with artisans at Jeff Goodman Studio in Toronto. A remarkable 1129 unique pieces of both flat and curved cast-glass pieces were produced and assembled with meticulous care to create each of the nine wings. On the inside, flat pieces of marble were water-jet cut while the curved pieces were extracted from blocks. Looking up to the central oculus at the apex of the dome, the steel and marble wings seem to be bound at the top of the dome as if large, malleable pieces of rope. Between dawn and dusk the Temple’s glass and marble become infused with the wide range of seasonal colours that dance across Santiago’s sky; the light that is filtered to the inside of the building shifts from white to silver to ochre, then blue to purple. At night, the materials allow for an inversion of light, whereby the Temple, lit from within, casts a soft glow against the Andean mountain range that borders the city. Around the world, each of the Bahá’í continental Temples serve as centres of worship as well as expressions of technological innovation and architectural excellence. Expressing a faith of inclusion, the Temple is more than just a story of complex design, innovation, and construction; it is the embodiment of a community’s aspirations to create a place for gathering, contemplation, mediation, and prayer for future generations.
ClientThe National Spiritual Assembly of the Bahá'ís of Chile
Gross Floor Area (mq)2438
ArchitectsHariri Pontarini Architects
Design teamPartner-in-Charge: Siamak Hariri. Project Manager: Doron Meinhard. Project Architect: Justin Huang Ford. Project Team: Michael Boxer, George Simionopoulos, Tiago Masrour, Tahirih Viveros, Jin-Yi McMillen, Jaegap Chung, Adriana Balen, Mehrdad Tavakkolian, Donald Peters, Jimmy Farrington, John Cook
ConsultantsProject Management: Desarrolllo y Construccion del Templo Bahá’í de Sudamerica Ltda. Superstructure and Cladding: Gartner Steel and Glass GmbH. Glass Casting: Jeff Goodman Studio and CGD Glass. Stone Fabrication: EDM. Local Architect: Benkal y Larrain Arquitectos. Landscape Architect: Juan Grimm. Structural Consultants: Simpson Gumpertz & Heger, Halcrow Yolles, EXP, Patricio Bertholet M. Cladding Consultants: Simpson Gumpertz & Heger. Mechanical, Electrical, Plumbing, HVAC Consultants: MMM Group, Videla & Asociados, The OPS Group. Lighting Consultant: Isometrix, Limari Lighting Design Ltda. Acoustics: Verónica Wulf
Photo CreditsHariri Pontarini Architects, Sebastián Wilson León, Guy Wenborne, Sketches by Siamak Hariri, Office of External Affairs - Templo Baha’i
Curriculum studio / partecipanteHariri Pontarini Architects is a full-service firm devoted to producing work of lasting value. Siamak Hariri and David Pontarini founded the Toronto office in 1994 motivated by a shared commitment to design quality. Today their 115-person practice offers clients in-depth partner involvement through all stages of design and the breadth of building experience. HPA believes solid relationships result in strong projects. They take pride in forging lasting collaborations with all involved in the design, development and construction process: clients, consultants, fabricators, policymakers, construction workers, colleagues. With each commission, HPA assumes full responsibility to materialize a design vision inspiring to its occupants, attuned to its setting and respectful of stakeholder needs, budget and timeline. Every project in their diversely scaled, award-winning portfolio reflects the HPA mission to craft architectural and urban solutions that exceed expectations, without excess.
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