High in the mountains above Guaimaca, Honduras (pop. 10,000), Proyecto Clamor de Paz was built as a memorial and community space honoring the memory of two inspiring young children. The project seeks healing over their loss. Over 65 family members, 70 girls from Jennie’s school, as well as foreign groups collaborated on this project. Its architect raised $30,000 to fund construction. The mayor donated some building materials. The Story - On June 3, 2008, four men murdered Jennie Lizeth Lopez (12) and Karlin Adali Valdez (10) in their home. Jennie’s love of learning and infectious enthusiasm promised her a bright future. Enraged, the commu- nity protested for justice. Three of the killers were tried and convicted. After visiting the event’s site and speaking with the community, we sensed a need to memorialize Jennie and Karlin
on their house’s site. The Site - The original simple three-room home (and scene of the crime) was surrounded by lush tropical vegeta- tion and coffee farms. It was built of stucco-clad mud bricks reinforced with straw and horsehair. Vertical slats atop the masonry filtered in light and breezes. Design Decisions - Since the house was decrepit and falling apart, it was decided to build a new structure on its footprint. The program for the new structure included a memorial - community space, chapel, and restroom. In ad- dition there is forecourt, bridge and tiered terrace. The local vernacular of concrete block, stucco, metal roofs, and wood / steel doors, windows and screens influenced the construction. The memorial - community space features two bronze medallions scribed with the children’s names and set in a black concrete floo
r. Sunlight is tracked throughout the day, aligning the two medallions (brother and sister) once a day. At evening, two spotlights will shine on the medallions, resembling stars in the night sky. Breezes enter through strategically placed wood screens. Three double-doors create crosses when closed, alluding to Calvary, making the space inward-focused and contemplative. When opened, they provide visitors stunning vistas of the landscape. The open doors also connect outdoor spaced to the interior, while allowing for overflow crowds as needed. The chapel is entered through tall doors with a cross-shaped opening. On axis with them is a small square window framing a valley view. Local craftsmen built its shutters, which when opened frame what was Jennie’s view of her school in the valley below.
Curriculum studio / partecipante Paul Lukez FAIA LEED AP - President, Paul Lukez Architecture - Over the last twenty years, Paul Lukez has been actively engaged in practice, research, and teaching. The practice has been busy designing architectural and urban design projects in the US and Asia at all scales (Small, Medium and Large).
Mr. Lukez is driven to work with clients and communities that care deeply about their design projects, helping them fulfill their goals and aspirations. His multi-faceted professional track gave rise to the release of Suburban Transformations (Princeton Architectural Press, October 2007). This book proposes strategies and processes for transforming suburbs into more sustainable environments, with a unique identity strongly linked to the landscape.
Mr. Lukez is the recipient of numerous academic and professional honors, and his work has been recognized by editors of local, regional and (inter)national publications. In recognition of his achievements in design excellence, he was elected as a Fellow in the American Institute of Architects. Prior to founding PLA, Mr. Lukez worked with nationally and internationally recognized architectural firms such as S.O.M. / Chicago, William Rawn Associates, and Arrowstreet Inc.
Paul Lukez FAIA LEED AP - President, Paul Lukez Architecture - Over the last twenty years, Paul Lukez has been actively engaged in practice, research, and teaching. The practice has been busy designing architectural and urban design projects in the US and Asia at all scales (Small, Medium and Large).