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The oracle bone inscription "Shu" represents a fusion of "enlarged eyes" and a contorted body. Regarding the cultural artifacts discovered in Sanxingdui, the sculptures, crafted from diverse materials and featuring various "gaze patterns," symbolize distinct personas. They not only reflect the essence of the Sanxingdui civilization but also symbolize a bridge connecting the past and the future, as well as different dimensions of time and space. Faced with such a profound subject like Sanxingdui, designers often grapple with an irresistible impulse to innovate. However, the fields of architecture and interiors have taken a divergent path. The architect's core focus lies in the minutest details of the design, while the designer adheres to three guiding principles: patience, self-restraint, and authority.
In the historical building, the spiraling ramp that ascends symbolizes reverence towards the heavens and deities, often referred to as the "Eye of Heaven." Within the atrium of the modern museum, this motif is carried forward through a spiraling descent passageway, serving as a metaphor for delving into the origins of ancient Shu, known as the "Eye of the Earth." The interaction between the old and new structures fosters a dialogue and facilitates the transmission of heritage. Deep within the depths of the "Eye of the Earth," three laser projections emanate towards the sky and cosmos, akin to beams of ancient civilization conversing with the celestial realm, pondering the origins or ultimate destination of human civilization.
The ceiling of the public hall has foregone traditional lighting installations, opting instead for wall-washing light strips positioned at the juncture of the walls and ceiling, alongside starlight elements that decode and relay the enigmatic messages of the cosmos. The interplay of natural sunlight entering the space is meticulously orchestrated by both the architectural structure and interior design, resulting in a graduated halo that transitions from luminous to shadowed depths. By maintaining a balance of light and shadow, with areas of subdued darkness interspersed with pockets of brightness, the design preserves ample white space to accentuate the enduring allure of history.
The interior design deliberately incorporates oversized artistic concrete panels, comprising a grand total of 1,696 hyperbolic panels that emulate the texture of an archaeological site. Originating from the earth and transforming into artful concrete, these panels effectively blur the boundaries between sky and land, enveloping individuals in a space where such distinctions fade away. The grand curves and expansive wall panels create a sense of insignificance in individuals, juxtaposing their smallness against the vast expanse of the space. The centerpiece of the area is the ring-shaped chandelier suspended 15 meters above the lobby, featuring a design inspired by a golden scepter motif. Despite its appearance of lightness, this chandelier weighs 12 tons, symbolizing the weight of history in human existence. Within China's constellation of ancient cultural sites, few are as enigmatic, mystical, and renowned as Sanxingdui, epitomizing a "celestial entity" that transcends cultural and temporal boundaries, embodying a convergence of diverse cultures and epochs.
Planned across a vast expanse of 15,000 square meters, the designers employ temporal sequencing to orchestrate the flow of visitors, ensuring an immersive experience. In a departure from typical café layouts, the café space eschews conventional furnishings in favor of large communal tables, fostering an ambiance conducive to congregation and lively discourse.
Founded in 1998, CSD.DESIGN is a comprehensive, research and international professional design brand integrating architectural design, interior design, soft decoration design, furnishings design, garden design, graphic design, brand planning, etc. Csd. design has its own unique views on the comprehensive design and research of hotel, office, club, cultural and creative, luxury and other types of space. In the process of research and exploration, we always hold only fine products, reflect the maximum value of design, according to the drawing of each line is a responsibility, to ask themselves. CSD.DESIGN's brand strategy will develop from a domestic first-line brand to a global brand. We participate in global competitions, establish international cooperation, integrate the whole platform resources, jointly complete the project planning, research and execution, and provide customers with the best solution from a global vision.
