Planar House is a radical exercise in horizontality, aspect commonly explored in the projects of the studio. Discreetly inserted in the highest point of the plot and favoring the existing topography, its presence is most strongly felt in the footprint rather than volumetrically. An extensive line in an open landscape.
This type of insertion on the plot demanded care and attention with the design of the rooftop, which is the fifth facade of the building. This was an exercise in composition and selection of equipment to be placed there, such as solar panels and skylights. The green roof mimics the surrounding lawn as well as contributes to the thermal comfort in the house.
Structurally, the slab is a rigid platform that is not supported by beams but directly by the pillars, which are distributed modularly in three axes. The cross-shaped metallic pillars are homage to the elegant proportions of miesian architecture.
Under the roof there are two programmatic boxes, the first one with the service areas, gym, tv and playrooms and the second one with the five en-suite bedrooms. The living rooms are located at the extremities and can be completely opened or closed by sliding glass doors transforming the entire house into a terrace. The interiors are made of low and solid wood furniture and the layout of the spaces leaves enough space for free circulation between the furniture and the panels and allows for an individualized reading of each piece. A translucent multi-colored club-chair hanging from the slab becomes the focus of attention and contrasts with the horizontality of the house.
Surrounding the rigid formal distribution, there is a vertical winding wall made of solid bricks arranged in solids and voids. Paradoxically, it defines the different relationships between the internal and external spaces. The wall, which is usually a symbol of division and isolation, in this project, is at times concave and at others convex, embracing the entrance garden and creating transparencies as well as offering protection from the street. Its brick texture contributes to a cozy atmosphere and creates light filters with kinetic effects as the day passes. Planar House is a radical exercise in horizontality, aspect commonly explored in the projects of the studio. Discreetly inserted in the highest point of the plot and favoring the existing topography, its presence is most strongly felt in the footprint rather than volumetrically. An extensive line in an open landscape.
/21
A radical exercise in horizontality.
Fernando Guerra
The pool.
Fernando Guerra
The vertical winding wall made of solid bricks
Fernando Guerra
A translucent multi-colored club-chair hanging from the slab.
Porto Feliz / São Paulo
Brasil
confidential
02/2018
1000 m2
Marcio Kogan
Lair Reis / Diana Radomysler
fairbanks & pilnik
Fernando Guerra
Curriculum
Studio MK27 located in the chaotic city of São Paulo was founded in the late 70’s by architect Marcio Kogan and today is comprised of 30 architects and various collaborators worldwide. The architects of the team, great admirers of the Brazilian modernism generation, seek to fulfill the task of rethinking and giving continuity to this iconic architectural movement. The projects of Studio MK27 place value on formal simplicity and are elaborated with extreme care and attention to details and finishings. He leads a team of architects who, for the most part, have been working with him for over a decade. Kogan is an honorary member of the AIA (American Institute of Architecture), Professor at Escola da Cidade in São Paulo and Politecnico di Milano, considered by Época magazine as one of the 100 Most Influential persons in Brazil, is part of “Wallpaper’s 150 Famous for 15 Years”, and came in 39th in Dezeen's Hot List 2017.
